Taylor Swift: The Tortured Poets Department

Without question Taylor Swift is a mega superstar of the likes that we have not seen since probably Elvis. Many have risen to amazing heights and shown promise, only to stay at the top of their game for a short time. Whether it's stardom that dilutes their juices or the rigor of the road that removes them from the source of their creativity, few can maintain the level of excellence that their fans demand.

While one may think that a demanding fan base would want more of the same, like Apple, the best artists know better. The best know that it is not recycling the same old thing that will ensure they withstand the test of time. They know that it is only through experimentation that they can rekindle the creative energy that they once had when they were dying for an opportunity to prove themselves and begging for a record deal. The Beatles, The Stones, Willie, Madonna, U2, and Michael did it. Some did it better than others. However, and just like life, it was the process of doing it that led them to where they ultimately needed to go.

For some the initial attempt at experimentation can lead to an epic success (i.e., The Beatles "Sgt. Peppers Lonely Hearts Club Band"). For others it can lead to an epic failure (i.e., The Rolling Stones "Their Satanic Majesties Request" 1967). Okay, you may not think that "Their Satanic Majesties Request" was an "epic" failure, but it was certainly not their best effort and it is probably the most disliked album by the band in the band's extensive catalog. However, failure can be a great teacher. Even better than success. As such it can lead to amazing run of creativity (i.e., The Rolling Stones "Beggar's Banquet" 1968; "Let It Bleed" 1969; "Sticky Finger" 1971; "Exile On Main Street" 1972.)

Among other things, Taylor Swift is loved by "Swifties" and others for her lyrical skills, attitude, strong female demeanor, her energy, and her stage presence. She's not the best vocalist to ever grace vinyl. But neither is Mick Jagger. Like Mick, what she does have is an uncanny ability to command your attention with authority and communicate a feeling that others can relate to and connect with in a very personal way. Love her or not, she is a force to be reckoned with.

At first listen, The Tortured Poets Department sounds like a blend of Folklore and Midnights. Maybe some of the tracks were left over from those sessions. Others do not have the lyrical depth or energy that we have come to expect from a Taylor Swift song (i.e., "Florida"). Regardless, The Tortured Poets Department is not an experiment. It will sell because it is Taylor's and it is a safe release. Not great. Not horrible. Safe.

Surprisingly, the record is pressed very well for a mass market release of this magnitude. The vinyl is reasonably quiet and dynamic. The highs are where they should be. The bass thumps, and her voice shows no evidence of sibilance. There is good musical separation and the clarity is better than one might expect. Overall, the album was mastered well, almost as if vinyl was the intended medium. However, the record did require a thorough cleaning before playing.

If you are a Swifty or even a collector, then this album may be a no brainer for you. If you're not, listen to it online before investing. If you liked Folklore and Midnights the odds are you'll like The Tortured Poets Department. If you didn't like either then you will probably feel tortured listening to this record. 💵

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