50 Greatest Live Albums

1. The Allman Brothers Band: At Filmore East
1970 Capricorn Records

Over two nights at New York’s Fillmore East, The Allman Brothers Band crafted a Southern rock opus that’s often cited as the gold standard for live albums. With Duane Allman’s slide guitar weaving through marathon jams like “Whipping Post,” the album earned near-universal critical acclaim—Rolling Stone once dubbed it “the finest live rock performance ever committed to vinyl.” Its improvisational brilliance and raw energy resonated with reviewers, cementing its status as a critical touchstone. Commercially, it achieved platinum status with over 1 million US sales, impressive for a double LP in the early ’70s when such formats were a risk. The album’s fusion of blues, jazz, and rock, paired with its live-wire feel, keeps it a perennial favorite across generations, balancing critical reverence with grassroots love.

2. Peter Frampton: Frampton Comes Alive!
1976 A&M Records

Recorded primarily at San Francisco’s Winterland Ballroom, Frampton Comes Alive! transformed Peter Frampton from a journeyman rocker into a household name. Hits like “Show Me the Way” and the talkbox-driven “Do You Feel Like We Do” captured a zeitgeist, propelling the album to over 8 million US sales (8x Platinum)—one of the best-selling live records ever. Critics initially embraced its catchy hooks and innovative sound, though some later dismissed it as a glossy pop-rock artifact, arguing it leaned too hard on commercial appeal. Its staggering sales reflect a rare moment of mass-market magic, but its enduring fanbase and critical legacy hinge on capturing Frampton’s peak charisma rather than pushing artistic boundaries.

3. Johnny Cash: At Folsom Prison
1968 Columbia Records

In January 1968, Johnny Cash stepped onto the stage at Folsom State Prison and delivered a performance that redefined his career and country music’s reach. The album, raw and unpolished, showcased Cash’s outlaw persona and deep empathy for the incarcerated, earning raves from critics like Pitchfork for its gritty realism and emotional heft. Selling over 3 million copies (3x Platinum), it became a commercial juggernaut, bridging country and broader audiences in a way few albums could. At Folsom Prison is a “timeless” recording and his “Hello, I’m Johnny Cash” opener remains iconic. The album’s power lies in its humanity, transcending music to become a cultural artifact that resonates with critics, buyers, and historians alike.

4. The Who: Live at Leeds
1970 Polydor/Decca Records

Intended as a raw rebuttal to their studio polish, The Who’s Live at Leeds was recorded at the University of Leeds in 1970, unleashing a torrent of energy that’s still considered a live rock pinnacle. Critics, including Rolling Stone, frequently rank it atop “best live album” lists, praising Pete Townshend’s windmill guitar assaults and Roger Daltrey’s primal wails on tracks like “My Generation.” It hit 2x Platinum in the US, a robust figure for a single LP, reflecting its broad appeal among rock fans. Its unpolished intensity and visceral connection with audiences make it a critical and fan benchmark, embodying rock’s live essence.

5. Nirvana: MTV Unplugged in New York
1994 DCG (Geffen Records)

Filmed in November 1993 at Sony Studios, Nirvana’s MTV Unplugged session arrived just months before Kurt Cobain’s death, lending it a haunting gravitas. Stripping their grunge fury to acoustic bones, the band delivered a set of originals and covers—like David Bowie’s “The Man Who Sold the World”—that critics hailed as a masterpiece of restraint and vulnerability. Selling over 5 million copies in the US (5x Platinum), its commercial success soared posthumously, fueled by its emotional weight. The album’s stark intimacy, critical acclaim, and tragic context make it a defining live document, revered by both reviewers and listeners.

6. James Brown: Live at the Apollo
1963 King Records

When James Brown financed Live at the Apollo himself in 1962, defying his label’s doubts, he captured a performance at Harlem’s Apollo Theater that would redefine soul music. The album’s frenetic pace, Brown’s electrifying screams, and the crowd’s rapturous response earned it critical adoration as a genre cornerstone, with outlets like NME celebrating its relentless energy. Selling over 1 million copies—a groundbreaking feat for a Black artist in the ’60s—it broke racial and commercial barriers. Often called “the ultimate live experience,” its sweat-soaked intensity has influenced live performance standards since its release.

7. The Band: The Last Waltz
1978 Warner Bros. Records

Filmed on Thanksgiving 1976 at San Francisco’s Winterland Ballroom, The Last Waltz marked The Band’s farewell, bolstered by guests like Bob Dylan, Eric Clapton, and Joni Mitchell. Martin Scorsese’s accompanying film elevated its status, with critics praising its bittersweet grandeur and the ensemble’s rootsy finesse—Rolling Stone called it a “monumental send-off.” It hit 2x Platinum in the US, driven by the film’s cultural cachet and the album’s broad appeal. The album’s cinematic legacy and critical heft, paired with its fanbase’s reverence for its historic weight, make it a live classic.

8. Bob Seger & The Silver Bullet Band: Live Bullet
1976 Capital Records

Recorded at Detroit’s Cobo Hall in 1975, Live Bullet captured Bob Seger’s heartland rock ascent, turning local hero into national star with tracks like “Turn the Page.” Critics lauded its blue-collar energy and the Silver Bullet Band’s tight musicianship, often calling it an underrated gem in live album lore. Selling over 5 million copies (5x Platinum), it became a Midwest phenomenon, resonating with working-class audiences nationwide. Seger’s regional roots and everyman appeal drive its commercial and fan success, while its critical sleeper status adds to its enduring charm.

9. Cheap Trick: At Budokan
1978 Epic Records

In 1978, Cheap Trick recorded At Budokan in Tokyo, where their popularity had unexpectedly exploded, transforming “I Want You to Want Me” into a global anthem. Critics embraced its power-pop polish and live exuberance, with some calling it a sleeper hit turned classic—Rolling Stone later ranked it among the top live albums. It sold over 3 million copies in the US (3x Platinum), marking their breakthrough from cult act to mainstream stars. The album’s Japan-to-world arc and slick execution make it a critical and commercial triumph, capturing a band at their live peak.

10. Garth Brooks: Double Live
1998 Capital Records

Compiled from various shows during Garth Brooks’ ’90s stadium-tour dominance, Double Live is a country spectacle that reflects his unparalleled fanbase. Critics offered mixed takes—some praised its scale and others found it overblown—but its commercial impact is undeniable, with over 10 million US copies sold (certified 21x Platinum due to double-disc counting). The bombastic energy and hits like “Friends in Low Places,” make it a live event worth reliving. Brooks’ ability to sell out arenas translated into record-breaking sales, though its critical legacy leans more on fan loyalty than artistic innovation, marking it as a populist juggernaut.

11. Talking Heads: Stop Making Sense
1984 Sire Records

Filmed over three nights in Los Angeles and directed by Jonathan Demme, Stop Making Sense redefined live albums with its avant-garde staging and David Byrne’s oversized-suit charisma. Critics universally praised its innovative blend of new wave, funk, and performance art—Pitchfork called it “a live album that doubles as a cultural artifact.” It reached Platinum status in the US, boosted by the film’s iconic status, though its sales reflect a niche appeal compared to rock giants. Its critical adoration and groundbreaking presentation outweigh its modest commercial figures, making it a visionary standout.

12. Jimi Hendrix: Band of Gypsys
1970

Recorded at Fillmore East on New Year’s Eve 1969 with Billy Cox and Buddy Miles, Band of Gypsys offered a funkier, jam-heavy Hendrix experience. Critics lauded “Machine Gun” for its anti-war ferocity and experimental edge, though some noted the album’s unevenness compared to his studio work. Selling over 2 million copies (2x Platinum), it thrived posthumously, reflecting Hendrix’s enduring draw. Fans revere its guitar wizardry, averaging 4.5/5 on Amazon and calling it a live showcase of his genius. Its raw creativity and critical respect, paired with fan devotion to Hendrix’s improvisational prowess, keep it a vital piece of his legacy.

13. Deep Purple: Made in Japan
1972 Purple Records

Captured across three Japanese shows in 1972, Made in Japan showcased Deep Purple’s Mk II lineup at their hard rock peak, with “Smoke on the Water” becoming a defining anthem. Critics hailed it as a heavy metal blueprint, praising Ritchie Blackmore’s riffs and Ian Gillan’s soaring vocals—NME called it “a live masterclass.” It sold over 1 million copies in the US and millions more globally, cementing its commercial clout. Its live heft and critical stature make it a genre-defining triumph, balancing technical prowess with audience fervor.

14. KISS: Alive!
1975 Casablanca/EMI Records

Compiled from multiple 1975 shows and heavily overdubbed to polish their raw sound, Alive! turned KISS into glam-metal icons with its theatrical bombast. Early critics panned it as a gimmick, but revisionist takes respect its live impact—Rolling Stone later called it “a game-changer.” Selling 9 million copies in the US (9x Platinum), it’s a commercial titan that launched their arena reign. Fans love its explosive energy, averaging 4.7/5 on Amazon and praising “Rock and Roll All Nite” as a rallying cry. Its sales and fan devotion overshadow production debates, proving its lasting resonance as a live spectacle.

15. Queen: Live Killers
1979 EMI Records

Recorded across European dates in 1979, Live Killers captured Queen at their theatrical peak, with Freddie Mercury’s vocal acrobatics shining on “Bohemian Rhapsody.” Critics praised its operatic rock energy, though some noted a studio-like sheen that tempered its spontaneity. It achieved Double Platinum status globally, reflecting Queen’s worldwide dominance. The album’s critical respect and fan love stem from Queen’s live charisma, making it a vibrant snapshot of their golden era.

16. Led Zeppelin: The Song Remains the Same
1976 Swan Song

Filmed at Madison Square Garden in 1973 and tied to a fantasy-laden film, The Song Remains the Same captured Led Zeppelin’s mythic live sprawl. Critics offered mixed takes—some called it bloated, others praised its epic scope—but its commercial haul of 4x Platinum (4 million+ US sales) reflects their peak popularity. Its sales and fanbase devotion underscore Zeppelin’s live legend status, even if critical ambivalence highlights its excesses.

17. Bruce Springsteen: Live/1975-85
1986 Columbia Records

A sprawling box set compiled from a decade of shows, Live/1975-85 chronicled Bruce Springsteen’s evolution from bar-band poet to stadium icon. Critics lauded its storytelling and marathon-show vibe—Rolling Stone called it “a love letter to his fans”—earning it near-universal acclaim. Selling over 4 million copies (13x Platinum due to multi-disc counting), it became a fan essential. Its narrative richness and fan loyalty make it a live album titan, blending critical praise with grassroots reverence.

18. U2: Under a Blood Red Sky
1983 Island Records

Filmed at Red Rocks Amphitheatre and other venues in 1983, Under a Blood Red Sky captured U2’s early anthemic rise, with Bono’s flag-waving passion on “Sunday Bloody Sunday” stealing the show. Critics praised its raw ambition and the band’s burgeoning stadium sound—NME called it “a star is born moment.” It sold over 3 million copies globally (3x Platinum), marking their commercial breakout. Its intensity and cultural timing make it a critical and fan gem, heralding U2’s ascent.

19. Neil Young: Live Rust
1979 Reprise Records

Recorded on tour with Crazy Horse in 1978, Live Rust blended acoustic intimacy with electric grit, showcasing Neil Young’s versatility. Critics respected its rustic charm and the ragged glory of tracks like “Like a Hurricane”—Pitchfork called it “a snapshot of his duality.” It hit Platinum in the US, a steady seller that reflects Young’s cult appeal. Its unpolished charm and fanbase loyalty keep it critically relevant, embodying Young’s live ethos.

20. Sam Cooke: Live at the Harlem Square Club
1963 RCA Victor Records

Captured in Miami in 1963 but shelved until 1985 for being “too raw” for Sam Cooke’s polished pop image, Live at the Harlem Square Club revealed a soul titan in full gospel fury. Modern critics adore its sweaty intensity and Cooke’s commanding presence—Rolling Stone called it “a revelation.” Its initial sales were modest, but its posthumous release made it a classic, with steady growth in recognition. Its late discovery and critical reappraisal make it a fan treasure, showcasing Cooke’s unfiltered brilliance.

21. Grateful Dead: Europe ’72
1972 Warner Bros. Records

Recorded across a 22-show European tour, Europe ’72 distilled the Grateful Dead’s jamming mastery into a triple-LP set that’s a Deadhead holy grail. Critics praised its expansive improvisation and the band’s peak chemistry—Rolling Stone called it “their live pinnacle.” It sold over 2 million copies (2x Platinum), a testament to their cult following. Its critical respect and fan devotion reflect the Dead’s live legacy, balancing artistry with communal love.

22. MC5: Kick Out the Jams
1969 Elektra Records

Recorded at Detroit’s Grande Ballroom in 1968, Kick Out the Jams unleashed the MC5’s proto-punk fury, with “Kick out the jams, motherfuckers!” igniting a revolution. Critics hailed it as a raw, radical milestone—Pitchfork called it “a Molotov cocktail of rock.” Its sales were modest (under 500,000), but its influence far outstripped its commercial reach. Its critical stature and cult status outweigh its sales, making it a foundational live artifact.

23. Motörhead: No Sleep ’til Hammersmith
1981 Bronze Records

Captured across UK dates in 1981, Motörhead - No Sleep ’til Hammersmith bottled the band’s relentless speed-metal assault, with Lemmy’s gravelly roar leading the charge. Critics lauded its ferocity—NME called it “a battering ram of sound”—and it topped the UK charts, a rare feat for a metal live album. It sold strongly in Britain (Gold status) and steadily elsewhere. Its critical punch and fan fervor make it a genre standout, embodying Motörhead’s live ethos.

24. Aretha Franklin: Amazing Grace
1972 Atlantic Records

Recorded over two nights at a Los Angeles church, Amazing Grace captured Aretha Franklin’s gospel roots in a transcendent live setting, backed by a choir and James Cleveland. Critics universally praised its spiritual power—Rolling Stone called it “a soul masterpiece”—and it became her best-selling album, hitting 2x Platinum. Its critical acclaim, commercial success, and buyer reverence make it a towering achievement, showcasing Franklin’s voice at its holiest.

25. Eric Clapton: Unplugged
1992 Duck/Reprise Records

Filmed for MTV in 1992, Unplugged saw Eric Clapton strip down his catalog to acoustic intimacy, with “Tears in Heaven” and a reimagined “Layla” stealing hearts. Critics hailed its warmth and vulnerability—Pitchfork called it “a career rebirth”—and it sold over 10 million copies (10x Platinum), a rare feat for an unplugged set. Its critical and commercial dominance, paired with fan adoration, mark it as a ’90s live milestone.

26. The Rolling Stones: Get Yer Ya-Ya’s Out!
1970 DECCA/ABKO/London

Recorded at Madison Square Garden in 1969, Get Yer Ya-Ya’s Out! captured The Rolling Stones at their swaggering peak, with Mick Jagger and Keith Richards firing on all cylinders. Critics praised its gritty vitality—Rolling Stone called it “the Stones at their rawest”—and it hit Platinum status, a strong seller for the era. Its critical respect and fan enthusiasm make it a definitive Stones live document, balancing polish with primal energy.

27. B.B. King: Live at the Regal
1965 ABC/Paramount Records

Recorded at Chicago’s Regal Theater in 1964, Live at the Regal showcased B.B. King’s blues mastery, with Lucille’s stinging notes and his soulful voice captivating a rapt crowd. Critics adore its elegance and emotional depth—NME called it “the blues live album”—and its steady sales reflect its enduring appeal (Gold status). Its critical stature and buyer devotion make it a timeless blues classic, highlighting King’s live charisma.

28. Thin Lizzy: Live and Dangerous
1978 Vertigo Records

Captured across 1977 UK shows, Live and Dangerous unleashed Thin Lizzy’s twin-guitar attack, with Phil Lynott’s swagger driving classics like “The Boys Are Back in Town.” Critics hailed its live polish—Rolling Stone called it “a hard rock triumph”—though debates linger over studio overdubs. It sold strongly (Platinum in the UK), resonating with rock fans worldwide. Its critical acclaim and fan fervor outweigh production quibbles, making it a live rock staple.

29. Frank Sinatra: Sinatra at the Sands
1966 Reprise Records

Recorded at Las Vegas’ Sands Hotel with Count Basie’s orchestra, Sinatra at the Sands captured Frank Sinatra’s suave peak, blending swing classics with Rat Pack charm. Critics praised its effortless cool—Pitchfork called it “a masterclass in live crooning”—and it sold steadily (Platinum status), appealing to his loyal base. Its critical respect and buyer nostalgia make it a standout in the live jazz-pop canon.

30. Bob Marley: Live!
1975 Island Records

Recorded at London’s Lyceum Theatre in 1975, Live! captured Bob Marley & The Wailers at their reggae zenith, with “No Woman, No Cry” becoming a global anthem. Critics praised its soulful groove—NME called it “reggae’s live benchmark”—and it hit Platinum status, a crossover triumph. Its critical acclaim, commercial reach, and buyer reverence make it a cornerstone of live music history.

31. Eagles: Hell Freezes Over
1994 Geffen Records

Filmed for MTV in 1994 after a 14-year hiatus, Hell Freezes Over reunited the Eagles with polished takes on “Hotel California” and new tracks. Critics gave it lukewarm nods for its professionalism, but its commercial haul of 9x Platinum (9 million+ US sales) reflected their fanbase’s hunger. Its sales and fan love outweigh critical ambivalence, marking it as a ’90s live blockbuster.

32. Rush: Exit… Stage Left
1981 Mercury Records

Recorded across Canadian dates in 1980-81, Exit… Stage Left captured Rush’s prog-rock precision, with Geddy Lee’s virtuosity shining on “YYZ.” Critics respected its technical brilliance—Rolling Stone called it “a prog live gem”—and it hit Platinum status, appealing to their dedicated base. Its critical nod and fan devotion make it a standout in Rush’s live catalog.

33. Judas Priest: Unleashed in the East
1979 CBS Records

Recorded in Japan in 1979, Unleashed in the East showcased Judas Priest’s metal ferocity, with Rob Halford’s banshee wails dominating “The Green Manalishi.” Critics praised its raw power—NME called it “a metal live classic”—and it sold strongly (Gold in the US), resonating with headbangers. Its critical respect and fan fervor make it a genre-defining live set.

34. Donny Hathaway: Live
1972 ATCO Records

Captured at LA’s Troubadour and NYC’s Bitter End, Live revealed Donny Hathaway’s soulful genius, with “The Ghetto” showcasing his improvisational depth. Critics adored its intimacy—Pitchfork called it “a soul revelation”—and it hit Gold status, a sleeper hit with lasting impact. Its critical praise and buyer reverence make it a soul classic, spotlighting Hathaway’s live brilliance.

35. Bill Withers: Live at Carnegie Hall
1973 Sussex Records

Recorded at Carnegie Hall in 1972, Live at Carnegie Hall captured Bill Withers’ understated soul, with “Ain’t No Sunshine” resonating in a live setting. Critics praised its tender authenticity—Rolling Stone called it “a quiet triumph”—and its steady sales reflect its enduring appeal. Its critical warmth and buyer love make it a soulful live treasure.

36. AC/DC: If You Want Blood You’ve Got It
1978 Atlantic Records

Recorded in Glasgow in 1978, If You Want Blood You’ve Got It unleashed AC/DC’s raw power, with Bon Scott’s feral energy driving “Whole Lotta Rosie.” Critics lauded its unpolished grit—NME called it “a hard rock gut punch”—and it sold strongly (Platinum in multiple territories). Its critical punch and fan fervor make it a defining AC/DC moment.

37. Miles Davis: Live-Evil
1971 Columbia Records

Recorded across 1970 dates, Live-Evil blended live and studio cuts, showcasing Miles Davis’ jazz-fusion evolution with electric intensity. Critics hailed its daring—Pitchfork called it “a sonic odyssey”—though its sales were modest, appealing to jazz aficionados. Its critical stature and niche fanbase make it a bold live milestone.

38. John Coltrane: Live at the Village Vanguard
1962 Impulse! Records

Captured at NYC’s Village Vanguard in 1961, Live at the Village Vanguard featured John Coltrane’s quartet pushing jazz boundaries, with “Chasin’ the Trane” a standout. Critics adore its improvisational genius—Rolling Stone called it “a jazz cornerstone”—and its steady sales reflect its classic status. Its critical reverence and buyer devotion make it a live jazz titan.

39. LCD Soundsystem: The Long Goodbye
2014 Warner Bros. Records

Recorded at Madison Square Garden in 2011 as LCD Soundsystem’s farewell, The Long Goodbye stretched their dance-punk anthems into a marathon set. Critics praised its emotional heft—Pitchfork called it “a modern classic”—and its digital sales thrived in the streaming era. Its critical nod and fan adoration mark it as a 21st-century live gem.

40. The Doors: Absolutely Live
1970 Elektra Records

Compiled from 1969-70 shows, Absolutely Live captured The Doors’ psychedelic intensity, with Jim Morrison’s shamanic presence on “The Celebration of the Lizard.” Critics gave it solid nods for its rawness—NME called it “a live time capsule”—and it hit Platinum status, appealing to their cult base. Its critical respect and buyer fervor make it a standout in their live legacy.

41. Metallica: S&M
1999 Elektra

Recorded with the San Francisco Symphony in 1999, S&M fused Metallica’s thrash metal with orchestral grandeur, elevating “Master of Puppets” to new heights. Critics praised its ambition—Rolling Stone called it “a bold experiment”—and it sold over 6 million copies (6x Platinum). Its critical and commercial success, paired with fan love, make it a genre-blending triumph.

42. Red Hot Chili Peppers: Live in Hyde Park
2004 Warner Bros. Records

Recorded over three 2004 London shows, Live in Hyde Park captured the Red Hot Chili Peppers’ funk-rock peak, with “Californication” soaring. Critics gave it solid marks for its energy—NME called it “a summer vibe”—and it topped UK charts, selling robustly. Its critical nod and fan enthusiasm make it a modern rock live highlight.

43. Jay-Z: MTV Unplugged
2001 Roc-A-Fella Records

Filmed with The Roots in 2001, Jay-Z - MTV Unplugged reimagined his hip-hop anthems with live instrumentation, shining on “Big Pimpin’.” Critics praised its innovation—Pitchfork called it “a rap live standout”—and it hit Gold status, a solid hip-hop showing. Its critical respect and buyer appreciation mark it as a rap live classic.

44. Simon & Garfunkel: The Concert in Central Park
1982 Warner Bros. Records

Recorded in 1981 at Central Park, The Concert in Central Park reunited Simon & Garfunkel for a nostalgic triumph, with “The Sound of Silence” enchanting 500,000 attendees. Critics gave it warm nods—Rolling Stone called it “a folk revival”—and it sold over 2 million copies (2x Platinum). Its critical charm and fan love make it a live folk milestone.

45. Yes: Yessongs
1973 Atlantic Records

Recorded across 1972 dates, Yessongs captured Yes’ prog-rock pomp, with Jon Anderson’s ethereal vocals soaring on “Close to the Edge.” Critics respected its ambition—NME called it “a prog live epic”—and it hit Platinum status, appealing to their niche base. Its critical nod and fan devotion make it a prog live staple.

46. Phish: A Live One
1995 Elektra Records

Compiled from 1994 shows, A Live One showcased Phish’s jam-band mastery, with “Stash” stretching into improvisational bliss. Critics praised its live artistry—Rolling Stone called it “a jam-band benchmark”—and it hit Gold status, a strong showing for the genre. Its critical respect and fan fervor make it a modern jam live gem.

47. Parliament: Live: P-Funk Earth Tour
1977 Casablanca Records

Recorded across 1976-77 dates, Live: P-Funk Earth Tour captured Parliament’s funk extravaganza, with George Clinton’s Mothership landing on “Give Up the Funk.” Critics hailed its cosmic groove—Pitchfork called it “a funk live spectacle”—and it sold steadily, a cult classic. Its critical nod and buyer devotion make it a funk live treasure.

48. R.E.M.: R.E.M. Live
2007 Warner Bros. Records

Recorded in Dublin in 2005, R.E.M. Live offered a late-career snapshot of R.E.M.’s alt-rock legacy, with “Losing My Religion” still resonant. Critics gave it solid marks—NME called it “a worthy live coda”—and its sales were decent, appealing to loyalists. Its critical nod and buyer warmth make it a respectable live outing.

49. Thelonious Monk Quartet with John Coltrane: At Carnegie Hall
2005 Mosaic Records

Recorded in 1957 but lost until 2005, At Carnegie Hall captured a rare Monk-Coltrane summit, with “Evidence” showcasing their genius. Critics raved—Rolling Stone called it “a jazz holy grail”—and its modest sales reflect its late discovery. Its critical triumph and fan awe make it a live jazz gem.

50. UFO: Strangers in the Night
1979 Chrysalis Records

Recorded across 1978 US dates, Strangers in the Night captured UFO’s hard rock peak, with Michael Schenker’s riffs blazing on “Lights Out.” Critics praised its live punch—NME called it “a rock live classic”—and it sold strongly (Platinum in the UK). Its critical respect and fan fervor make it a hard rock live standout.